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Peking opera in Shanghai, 2014
Peking opera, or Beijing opera (Chinese: 京劇; pinyin: Jīngjù), is the most dominant form of Chinese opera, which combines instrumental music, vocal performance, mime, martial arts, dance and acrobatics. It arose in Beijing in the mid-Qing dynasty (1644–1912) and became fully developed and recognized by the mid-19th century. The form was extremely popular in the Qing court and has come to be regarded as one of the cultural treasures of China. Major performance troupes are based in Beijing, Tianjin and Shanghai. The art form is also preserved in Taiwan, where it is also known as Guójù (Chinese: 國劇; lit. 'National opera'). It has also spread to other regions such as the United States and Japan.
Peking opera features four main role types, sheng (gentlemen), dan (women), jing (rough men), and chou (clowns). Performing troupes often have several of each variety, as well as numerous secondary and tertiary performers. With their elaborate and colorful costumes, performers are the only focal points on Peking opera characteristically sparse stage. They use the skills of speech, song, dance and combat in movements that are symbolic and suggestive, rather than realistic. Above all else, the skill of performers is evaluated according to the beauty of their movements. Performers also adhere to a variety of stylistic conventions that help audiences navigate the plot of the production. The layers of meaning within each movement must be expressed in time with music. The music of Peking opera can be divided into the xīpí (西皮) and èrhuáng (二黄) styles. Melodies include arias, fixed-tune melodies and percussion patterns. The repertoire of Peking opera includes over 1,400 works, which are based on Chinese history, folklore and, increasingly, contemporary life. (Full article...)
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A stamp of Zhang Heng issued by China Post in 1955
Zhang Heng began his career as a minor civil servant in Nanyang. Eventually, he became Chief Astronomer, Prefect of the Majors for Official Carriages, and then Palace Attendant at the imperial court. His uncompromising stance on historical and calendrical issues led to his becoming a controversial figure, preventing him from rising to the status of Grand Historian. His political rivalry with the palace eunuchs during the reign of Emperor Shun (r. 125–144) led to his decision to retire from the central court to serve as an administrator of Hejian Kingdom in present-day Hebei. Zhang returned home to Nanyang for a short time, before being recalled to serve in the capital once more in 138. He died there a year later, in 139. (Full article...)
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With the pale yellow rump visible. Buryatia, Russia.
Pallas's leaf warbler is one of the smallest Palearcticwarblers, with a relatively large head and short tail. It has greenish upperparts and white underparts, a lemon-yellow rump, and yellow double wingbars, supercilia and central crown stripe. It is similar in appearance to several other Asian warblers, including some that were formerly considered to be subspecies of it, although its distinctive vocalisations aid identification. (Full article...)
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The Sakyamuni Buddha, by Song painter Zhang Shengwen, c. AD 1181–1186; although Buddhism was in decline and under attack by Neo-Confucian critics in the Song era, it nonetheless remained one of the major religious ideologies in China.
Chinese society during the Song dynasty (AD 960–1279) was marked by political and legal reforms, a philosophical revival of Confucianism, and the development of cities beyond administrative purposes into centers of trade, industry, and maritime commerce. The inhabitants of rural areas were mostly farmers, although some were also hunters, fishers, or government employees working in mines or the salt marshes. Conversely, shopkeepers, artisans, city guards, entertainers, laborers, and wealthy merchants lived in the county and provincial centers along with the Chinese gentry—a small, elite community of educated scholars and scholar-officials. As landholders and drafted government officials, the gentry considered themselves the leading members of society; gaining their cooperation and employment was essential for the county or provincial bureaucrat overburdened with official duties. In many ways, scholar-officials of the Song period differed from the more aristocratic scholar-officials of the Tang dynasty (618–907). Civil service examinations became the primary means of appointment to an official post as competitors vying for official degrees dramatically increased. Frequent disagreements amongst ministers of state on ideological and policy issues led to political strife and the rise of political factions. This undermined the marriage strategies of the professional elite, which broke apart as a social group and gave way to a multitude of families that provided sons for civil service.
Confucian or Legalist scholars in ancient China—perhaps as far back as the late Zhou dynasty (c. 1046–256 BC)—categorized all socioeconomic groups into four broad and hierarchical occupations (in descending order): the shi (scholars, or gentry), the nong (peasant farmers), the gong (artisans and craftsmen), and the shang (merchants). Wealthy landholders and officials possessed the resources to better prepare their sons for the civil service examinations, yet they were often rivaled in their power and wealth by merchants of the Song period. Merchants frequently colluded commercially and politically with officials, despite the fact that scholar-officials looked down on mercantile vocations as less respectable pursuits than farming or craftsmanship. The military also provided a means for advancement in Song society for those who became officers, even though soldiers were not highly respected members of society. Although certain domestic and familial duties were expected of women in Song society, they nonetheless enjoyed a wide range of social and legal rights in an otherwise patriarchal society. Women's improved rights to property came gradually with the increasing value of dowries offered by brides' families. (Full article...)
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Publicity photo of Anna May Wong from Stars of the Photoplay, 1930
Wong Liu Tsong (January 3, 1905 – February 3, 1961), known professionally as Anna May Wong, was an American actress, considered the first Chinese American film star in Hollywood, as well as the first Chinese American actress to gain international recognition. Her varied career spanned silent film, sound film, television, stage, and radio.
Born in Los Angeles to second-generation Taishanese Chinese American parents, Wong became engrossed in films and decided at the age of 11 that she would become an actress. Her first role was as an extra in the movie The Red Lantern (1919). During the silent film era, she acted in The Toll of the Sea (1922), one of the first films made in color, and in Douglas Fairbanks' The Thief of Bagdad (1924). Wong became a fashion icon and had achieved international stardom in 1924. Wong had been one of the first to embrace the flapper look. In 1934, the Mayfair Mannequin Society of New York voted her the "world's best dressed woman." In the 1920s and 1930s, Wong was acclaimed as one of the top fashion icons. (Full article...)
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Nicole Cooke, gold medalist
The women's road race was one of the cycling events at the 2008 Summer Olympics in Beijing, China. It took place on 10 August 2008, featuring 66 women from 33 countries. It was the seventh appearance of an Olympic women's road race event and featured a longer course than any of the previous six races. The race was run on the Urban Road Cycling Course (one of Beijing's nine temporary venues), which is 102.6 kilometres (63.8 mi) total. Including a second lap around the 23.8 km (14.8 mi) final circuit, the total distance of the women's race was 126.4 km (78.5 mi), less than half the length of the men's race.
Heavy rain during most of the race made conditions difficult for the competitors. A group of five broke away during the final lap and worked together until the final sprint, where Nicole Cooke won the race. Cooke earned Great Britain's first medal at these Games and 200th Olympic gold medal overall. Emma Johansson of Sweden and Tatiana Guderzo of Italy, finishing second and third place with the same time as Cooke, received silver and bronze medals respectively. (Full article...)
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Rob-B-Hood (traditional Chinese: 寶貝計劃; simplified Chinese: 宝贝计划, also known as Robin-B-Hood, literally: Baby Project) is a 2006 Hong Kong actioncomedydrama film written, produced and directed by Benny Chan, feature an ensemble cast include Jackie Chan, Louis Koo, Yuen Biao, Michael Hui, Gao Yuanyuan, Charlene Choi, Chen Baoguo and Matthew Medvedev. It tells the story of a kidnapping gone wrong in Hong Kong; a trio of burglars consisting of Thongs (Chan), Octopus (Koo) and the Landlord (Hui) kidnap a baby from a wealthy family on behalf of triads. With the Landlord arrested, Thongs and Octopus take care of the baby for a short time, developing strong bonds with him. Reluctant to hand the baby over, the two are forced to protect him from the triads who hired them in the first place.
Originally announced in 2005, the film marked Benny Chan's third collaboration with Jackie Chan, following Who Am I? and New Police Story. It was produced with a budget of HK$16.8 million and filming took place in Hong Kong between December 2005 and January 2006. Rob-B-Hood is the first film in over 30 years in which Jackie Chan plays as a thief. (Full article...)
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Posthumous portrait
Du Fu (Chinese: 杜甫; pinyin: Dù Fǔ; Wade–Giles: Tu Fu; 712–770) was a Chinese poet and politician during the Tang dynasty. Together with his elder contemporary and friend Li Bai, Du is often considered one of the greatest Chinese poets. His greatest ambition was to serve his country as a successful civil servant, but Du proved unable to make the necessary accommodations. His life, like all of China, was devastated by the An Lushan rebellion of 755, and his last 15 years were a time of almost constant unrest.
Although initially he was little-known to other writers, his works came to be hugely influential in both Chinese and Japanese literary culture. Of his poetic writing, nearly fifteen hundred poems have been preserved over the ages. He has been called the "Poet-Historian" and the "Poet-Sage" by Chinese critics, while the range of his work has allowed him to be introduced to Western readers as "the Chinese Virgil, Horace, Ovid, Shakespeare, Milton, Burns, Wordsworth, Béranger, Hugo or Baudelaire". (Full article...)
The economy of the Han dynasty (206 BC – 220 AD) of ancient China experienced upward and downward movements in its economic cycle, periods of economic prosperity and decline. It is normally divided into three periods: Western Han (206 BC – 9 AD), the Xin dynasty (9–23 AD), and Eastern Han (25–220 AD). The Xin regime, established by the former regent Wang Mang, formed a brief interregnum between lengthy periods of Han rule. Following the fall of Wang Mang, the Han capital was moved eastward from Chang'an to Luoyang. In consequence, historians have named the succeeding eras Western Han and Eastern Han respectively.
The Han economy was defined by significant population growth, increasing urbanization, unprecedented growth of industry and trade, and government experimentation with nationalization. Another large component of the government is that it was run by influential families who had the most money. In this era, the levels of minting and circulation of coin currency grew significantly, forming the foundation of a stable monetary system. The Silk Road facilitated the establishment of trade and tributary exchanges with foreign countries across Eurasia, many of which were previously unknown to the people of ancient China. The imperial capitals of both Western Han (Chang'an) and Eastern Han (Luoyang) were among the largest cities in the world at the time, in both population and area. Here, government workshops manufactured furnishings for the palaces of the emperor and produced goods for the common people. The government oversaw the construction of roads and bridges, which facilitated official government business and encouraged commercial growth. Under Han rule, industrialists, wholesalers, and merchants—from minor shopkeepers to wealthy businessmen—could engage in a wide range of enterprises and trade in the domestic, public, and even military spheres. (Full article...)
St. Michael's Cathedral is the product of a strong German presence in Shandong Province in the 19th and early 20th centuries. In the mid-19th century the European powers forcibly opened China to foreign trade. The Divine Word Missionaries built a church in the Jiaozhou Bay concession in Shandong in 1902, and in 1934 erected the cathedral, which remained nominally under their administration until 1964. In 1942 it came under the control of the Japanese Army, returning to Chinese control when the Japanese left Qingdao in 1945. In the early 1950s, all foreign missionaries, including the Bishop of Qingdao, were either imprisoned or expelled from China, and during the Cultural Revolution (1966–1976) the cathedral was defaced and abandoned. In 1981, it was repaired by the government and reopened for services, and in 1992 it was listed as a Provincial Historic Building by the government of Shandong Province. (Full article...)
Yao, who was born in Shanghai, started playing for the Sharks as a teenager, and played on their senior team for five years in the CBA, winning a championship in his final year. After negotiating with the CBA and the Sharks to secure his release, Yao was selected by the Rockets as the first overall pick in the 2002 NBA draft. He reached the NBA playoffs four times, and the Rockets won the first-round series in the 2009 postseason, their first playoff series victory since 1997. In July 2011, Yao announced his retirement from professional basketball because of a series of foot and ankle injuries which forced him to miss 250 games in his last six seasons. In eight seasons with the Rockets, Yao ranks sixth among franchise leaders in total points and total rebounds, and second in total blocks. (Full article...)
Lactarius indigo, commonly known as the indigo milk cap, indigo milky, indigo lactarius, blue lactarius, or blue milk mushroom, is a species of agaric fungus in the family Russulaceae.
The fruit body color ranges from dark blue in fresh specimens to pale blue-gray in older ones. The milk, or latex, that oozes when the mushroom tissue is cut or broken (a feature common to all members of the genus Lactarius) is also indigo blue, but slowly turns green upon exposure to air. The cap has a diameter of 4–15 cm (2–6 in), and the stem is 2–8 cm (3⁄4–3+1⁄8 in) tall and 1–2.5 cm (3⁄8–1 in) thick. (Full article...)
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A Western Han painted ceramic jar with raised reliefs of dragons, phoenixes, and taotie designs The Han dynasty (202 BC – 220 AD) was the second imperial dynasty of China, following the Qin dynasty (221–207 BC). It was divided into the periods of Western (Former) Han (202 BC – 9 AD) and Eastern (Later) Han (25–220 AD), briefly interrupted by the Xin dynasty (9–23 AD) of Wang Mang. The capital of Western Han was Chang'an, and the capital of Eastern Han was Luoyang. The emperor headed the government, promulgating all written laws, serving as commander-in-chief of the armed forces, and presiding as the chief executive official. He appointed all government officials who earned a salary of 600 bushels of grain or more (though these salaries were largely paid in coin cash) with the help of advisors who reviewed each nominee. The empress dowager could either be the emperor's actual or symbolic mother, and was in practice more respected than the emperor, as she could override his decisions; she can even make decisions on behalf of the emperor in dilemma matters of the country or for the order and continuation of the dynasty, even if necessary, with the support of the courtiers, she would decide on his successor or his dismissal. Although such a challenge was raised by the empress dowager to the emperor during the emperor's youth or incapacity. The emperor's executive powers could also be practiced by any official upon whom he bestowed the Staff of Authority. These powers included the right to execute criminals without the imperial court's permission.
... that the New York City-based fashion label Sandy Liang is inspired by grandmothers in Chinatown, and often features Liang's own grandmother as a model?
... that between 2006 and 2007, Stacy Hollowell worked for basketball teams in Qatar, China, Bahrain and Lithuania?
... that Luo Wenzao became the first Catholic bishop from China in 1685, after initially declining the appointment in 1677?
... that Tarcisio Martina, the representative of the Holy See in China, was sentenced to life imprisonment in 1951 over a plot to assassinate Mao Zedong?
...that Ming Dynasty general Gang Bingcastrated himself and placed his severed organs under Emperor Yongle's saddle to avoid being accused of sexual improprieties?
The dishes within the cuisine need to master the three elements of "color, aroma, and taste" (色香味). Like other cuisines within China, Shanghai cuisine emphasizes the use of seasonings, the quality of raw ingredients, and preserving the original flavors of ingredients. The adoption of Western influence in Shanghai cuisine resulted in a unique cooking style known as Haipai cuisine (海派菜). (Full article...)
The Butterfly Dream, by Chinese painter Lu Zhi (c. 1550)
The Zhuangzi (historically romanized Chuang Tzŭ) is an ancient Chinese text that is one of the foundational texts of Taoism, alongside the Tao Te Ching, Neiye, Liezi and Wenzi. It was written during the late Warring States period (476–221 BC) and is named for its traditional author, Zhuang Zhou, who is customarily known as "Zhuangzi" ("Master Zhuang").
The Zhuangzi consists of stories and maxims that exemplify the nature of the ideal Taoist sage. It contains numerous anecdotes, allegories, parables, and fables, often expressed with irreverence or humor. Recurring themes include embracing spontaneity and achieving freedom from the human world and its conventions. The text aims to illustrate the arbitrariness and ultimate falsity of dichotomies normally embraced by human societies, such as those between good and bad, large and small, life and death, or human and nature. In contrast with the focus on good morals and personal duty expressed by many Chinese philosophers of the period, Zhuang Zhou promoted carefree wandering and following nature, through which one would ultimately become one with the "Way" (Tao). (Full article...)
Xin Fengxia (Chinese: 新凤霞; pinyin: Xīn Fèngxiá; Wade–Giles: Hsin Feng-hsia; 1927 – 12 April 1998) was a Chinese pingju opera performer, known as the "Queen of Pingju". She was also a film actress, writer, and painter. She starred in the highly popular films Liu Qiao'er (1956) and Flowers as Matchmakers (1964), both adapted from her operas.
Xin was married to Wu Zuguang, a prominent playwright and an outspoken critic of government policies. When Wu was denounced as a "rightist" in Mao Zedong's Anti-Rightist Campaign, Xin refused to divorce him and was herself denounced as a result. She was later severely persecuted during the Cultural Revolution, becoming disabled after a beating and was later paralyzed due to a stroke. No longer able to perform, she dedicated the remainder of her life to teaching, writing, and painting. She studied painting with her godfather Qi Baishi, a master of Chinese painting, and studied writing with her husband. She published a two-million-word memoir, which has been translated into English and Urdu. (Full article...)
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Marshal Zhu De c. 1950s
Zhu De (1 December 1886 – 6 July 1976) was a Chinese general, military strategist, politician and revolutionary in the Chinese Communist Party (CCP).
Zhu was born into poverty in 1886 in Sichuan. He was adopted by a wealthy uncle at age nine and received a superior early education that led to his admission into a military academy. After graduating, he joined a rebel army and became a warlord. Afterward he joined the CCP. He commanded the Eighth Route Army during the Second Sino-Japanese War and the Chinese Civil War. By the end of the civil war he was also a high-ranking party official. (Full article...)
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Girl Playing a Jade Flute by Xue Susu, self-portrait
Xue Susu (Chinese: 薛素素; also known as Xue Wu (薛五), Xuesu (薛素), Sujun, among other pen names) (c.1564–1650? C.E.) was a Chinese courtesan during the Ming Dynasty. She was an accomplished painter and poet who was particularly noted for her figure paintings, which included many Buddhist subjects. Her works are held in a number of museums both in China and elsewhere. Her skill at mounted archery was commented upon by a number of contemporary writers, as were her masculine, martial tendencies; these were regarded as an attractive feature by the literati of the period.
She lived in Eastern China, residing for most of her life in the Zhejiang and Jiangsu districts. After a career as a celebrated courtesan in Nanjing, Xue Susu was married about four times. During her later life, she eventually opted for the life of a Buddhist recluse. (Full article...)
In 2005 Chen gained international recognition for organising a landmark class-action lawsuit against authorities in Linyi, Shandong province, for the excessive enforcement of the one-child policy. As a result of this lawsuit, Chen was placed under house arrest from September 2005 to March 2006, with a formal arrest in June 2006. On August 24, 2006 Chen was sentenced to four years and three months for "damaging property and organising a mob to disturb traffic." He was released from prison in 2010 after serving his full sentence, but remained under house arrest or "soft detention" at his home in Dongshigu Village. Chen and his wife were reportedly beaten shortly after a human rights group released a video of their home under intense police surveillance in February 2011. (Full article...)
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Shu Xiuwen in the 1940s
Shu Xiuwen (1915– 17March 1969), also romanized as Shu Hsiu-wen, was a Chinese film and stage actress, as well as the first voice actress in China. She grew up in poverty but made a name for herself in the drama and film industry of Shanghai before the Second Sino-Japanese War, and then in the wartime capital Chongqing. She starred in numerous films and stage plays, including her most acclaimed film The Spring River Flows East, and was recognized as one of China's top four actresses.
Hu Die (Chinese: 胡蝶; Wade–Giles: Hu Tieh; 1907–08 — April 23, 1989), also known by her English name Butterfly Wu, was a popular Chinese actress during the 1920s and 1930s. She was voted China's first "Movie Queen" in 1933, and won the Best Actress Award at the 1960 Asian Film Festival for her performance in Rear Door. (Full article...)
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Chinese workers in a gambier and pepper plantation in Singapore, circa 1900.
The Kangchu system was a socio-economic system of organisation and administration developed by Chinese agricultural settlers in Johor during the 19th century. The settlers organised themselves into informal associations (similar to the Kongsi organisations found in other Chinese communities), and chose a leader from among themselves.
In Chinese, "Kangchu" (Chinese: 港主; HokkienPe̍h-ōe-jī: Káng-chú; TeochewPe̍h-ūe-jī: Káng-tsú) literally means 'master of the riverbank', and was the title given to the Chinese headmen of these river settlements. The "Kangchu" leaders are also called "Kapitan". (Full article...)
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The military of the Tang dynasty was staffed with a large population of Turkic soldiers, referred to as Tujue (突厥) in Chinese sources. Tang elites in northern China were familiar with Turkic culture, a factor that contributed to the empire's acceptance of Turkic recruits. The Emperor Taizong of Tang adopted the title of "Heavenly Khagan" and promoted a cosmopolitan empire. Turkic soldiers that served under the Tang dynasty originated from the Eastern Turkic Khaganate. It began with Taizong who sent his general Li Jing, eventually ended in defeating the Eastern Turks and capturing their leader Jiali Khan.
Taizong regularly recruited and promoted military officers of Turkic ancestry, whose steppe experience contributed to the western and northern expansion of the Tang empire. The Turkic general Ashina She'er participated in the Tang capture of the Karakhoja, Karasahr, and Kucha kingdoms in Xinjiang. The half-Turkic general An Lushan started a revolt that led to the decline of the Tang dynasty. (Full article...)
She was part of a flotilla which toured ports during the summer of 1889. Zhiyuan's sole action was at the Battle of the Yalu River on 17 September 1894 during the First Sino-Japanese War. During the battle, she came under heavy fire from the Japanese forces. Having been holed, Deng ordered for the ship to ram an opposing vessel. She was destroyed as she closed, either by a hit on one of her torpedo tubes, or from a Japanese torpedo. This attack, and the subsequent story of her captain and his dog have become embedded in popular culture in the People's Republic of China. A replica of the Zhiyuan was constructed in 2014 at the Port of Dandong, while the wreck was discovered in 2013 after a 16-year search. (Full article...)
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Gui Minhai (Chinese: 桂民海; pinyin: Guì Mínhǎi, formerly 桂敏海; Guì Mǐnhǎi; born 5 May 1964), also known as Michael Gui, is a Hong Kong-Swedish book publisher and writer. He is an author of many books related to Chinese politics and Chinese political figures; Gui authored around 200 books during his ten-year career under the pen-name Ah Hai (阿海) and is one of three shareholders of Causeway Bay Books in Hong Kong.
Gui went missing in Thailand in late 2015, one of five men who vanished in a string of incidents known as the Causeway Bay Books disappearances. The case ignited fears locally and in Britain over the collapse of "one country, two systems", over the possibility that people could be subject to rendition from Hong Kong and from other countries by Chinese law enforcement. The Chinese government had been silent about holding him in custody for three months, at which point a controversial video confession was broadcast on mainland media. In it, Gui said that he had returned to mainland China and surrendered to the authorities of his own volition; he appeared to indicate that he was prepared to follow the course of justice in China, while waiving protection as a Swedish citizen. Gui's case has severely strained the relations between Sweden and China. (Full article...)
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The Hanzhong valley, the location of the Celestial Masters' state. The Way of the Five Pecks of Rice (Chinese: 五斗米道; pinyin: Wǔ Dǒu Mǐ Dào) or the Way of the Celestial Master, commonly abbreviated to simply The Celestial Masters, was a ChineseTaoist movement founded by the first Celestial MasterZhang Daoling in 142 CE. At its height, the movement controlled a theocratic state in the Hanzhong valley, north of Sichuan. In 215 CE, the state was incorporated by Cao Cao into what would later be the Kingdom of Wei, and the followers of the Celestial Master were dispersed all over China.
The Celestial Masters believed that qi pervaded everything, and in order to achieve immortality, the correct balance of qi had to be present within the body. Having a poor quantity of qi in the body, would result in illness, and eventually death. Meditation could be used to restore qi to the body, but sex was to be avoided, as it could result in the loss of qi. If there was the correct balance of qi within the body upon death, an adherent could 'feign death' and be reborn. If not, an adherent would be transported to an earthly prison where he would face eternal torment. (Full article...)
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Chinese cruiser Jiyuan
Japanese cruiser Saien (formerly the Chinese cruiser Jiyuan) at Kure in March 1895
The Great Wall of China is a 6,352 km (3,948 miles) long Chinesefortification built over a span of nearly 2,000 years, in order to protect the various dynasties from raids coming from areas in modern-day Mongolia and Manchuria. Along most of its arc, it roughly delineates the border between North China and Inner Mongolia. Although it is commonly said that the wall is visible to the naked eye from space, it is more accurate to say that it is visible under favorable viewing conditions, if one knows exactly where to look.
The following are images from various China-related articles on Wikipedia.
Image 1Map showing the expansion of Han dynasty in the 2nd century BC (from History of China)
Image 2Photo showing serving chopsticks (gongkuai) on the far right, personal chopsticks (putongkuai) in the middle, and a spoon. Serving chopsticks are usually more ornate than the personal ones. (from Chinese culture)
Image 5Tea caddy, Chinese - Indianapolis Museum of Art (from Chinese culture)
Image 6Dragon Tea Pot, Republic of China (from Chinese culture)
Image 7Gilin with the head and scaly body of a dragon, tail of a lion and cloven hoofs like a deer. Its body enveloped in sacred flames. Detail from Entrance of General Zu Dashou Tomb (Ming Tomb). (from Chinese culture)
Image 13Relief of a fenghuang in Fuxi Temple (Tianshui). They are mythological birds of East Asia that reign over all other birds. (from Chinese culture)
Image 35Red lanterns are hung from the trees during the Chinese New Year celebrations in Ditan Park (Temple of Earth) in Beijing. (from Chinese culture)
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The President of the Republic of China is the head of state of the Republic of China (ROC).
The Constitution names the president as head of state and commander-in-chief of the Republic of China Armed Forces (formerly known as the National Revolutionary Army). The president is responsible for conducting foreign relations, such as concluding treaties, declaring war, and making peace. The president must promulgate all laws and has no right to veto. Other powers of the president include granting amnesty, pardon or clemency, declaring martial law, and conferring honors and decorations.
The current President is Lai Ching-te(pictured), since May 20, 2024. Lai is a Taiwanese politician and former physician, who is currently serving as the eighth president of the Republic of China under the 1947 Constitution and the third president from the Democratic Progressive Party (DPP).
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